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The 365 Best Films of the 2000s

Heroes of the Zeroes: About a Boy

The Heroes of the Zeroes is Nick Rogers’ daily, alphabetical look back at the 365 best films from 2000 to 2009.

“About a Boy”
Rated PG-13
2002

Like Billy Wilder with a British bent, 2002’s “About a Boy” lithely danced on the wire of uneasy scenarios for comedy — attempted suicide, fragile kids of divorce, childhood bereft of memorable experiences. But it never trivialized them, humanly emphasizing life’s quality over its quantity.

“Boy” represented the apex before a befuddling downward career trajectory for brotherly filmmakers Chris and Paul Weitz — who afterward slid into a mire of lame fantasy-literature adaptations (Chris’s “New Moon” and “The Golden Compass”) and limp satire (Paul’s “American Dreamz”).

Here, Hugh Grant turns his popular persona of charming cad on its dramatic ear as Will, a shiftless, aging layabout living off royalties from his father’s Christmas song. While scheming to date single moms, Will inadvertently mentors Marcus (Nicholas Hoult), a 12-year-old whose suicidal mother (Toni Collette) isn’t necessarily the role model he needs.

The Weitzes tenderly examine the difference between parenting and projecting onto your child in scenes when Collette faces her actions’ consequences and when Hoult measures how to prevent her self-destructive cycle from starting over again.

“Boy” sounds like a downer, but it’s got joie de vivre even in its most morbid moments. Grant gets one of his greatest one-liners — “I’d never watched a woman cry without feeling responsible before” — but his life is itself a one-hit wonder which, like many novelties, fades into background noise.

When Will uttered “I loved him. I really loved him” about Marcus, it turned a winning comedy into rumination on the unfettered selflessness of true friendship.

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5 Responses to “Heroes of the Zeroes: About a Boy”

  1. […] 3 Weeks and 2 Days 21 Grams 24-Hour Party People 25th Hour 28 Days Later … The 40-Year-Old Virgin About a Boy About Schmidt […]

  2. […] 2011 nobody’s heard of is “A Better Life.” This drama from director Chris Weitz (“About a Boy”) and screenwriter Eric Eason takes a wrenching and evocative look at the debate over illegal […]

  3. […] First, some standard facts. Somewhat of a milestone, this is the first British kids film shot in 3D. It comes from director Nick Moore, whose only previous directorial credit is 2008′s “Wild Child,” although he was award-nominated for editorial efforts on 1997′s “The Full Monty” and 2002′s “About a Boy.” […]

  4. […] those words — spoken at the very of the end of the film — director Chris Weitz (“About a Boy”) and screenwriter Eric Eason establish the underlying theme of their stark, sobering new drama, […]

  5. Ashley Zakutansky says:

    I’ve seen this movie so many times and although it had it’s dark moments I really enjoyed it. Still, to this day, if it’s on television I won’t pass up a chance to watch it.