The Film Yap

Though clearly inferior to its predecessor, “Monsters University” is still an enjoyable romp with two old, likable chums. Continue reading →

It’s good, man, but not exactly super. Continue reading →

A doofy, daffy and delightful low-concept comedy, “This Is the End” wickedly allows Hollywood’s merry pranksters to poke fun at themselves. Continue reading →

“The Internship” works as T-shirt-and-jeans comedy — loose-fit comfort and casual, with ’80s plot points faded into its fabric like decades-old salsa stains. Continue reading →

A shotgun marriage between real and fictional fearmongering that invites you to the wedding, lets you decide on which side to sit, and definitely omits a sermon. Continue reading →

This quirky, enjoyable rite-of-passage indie showcases some promising young actors and filmmakers. Continue reading →

If a trick really is something a whore does for money, “Now You See Me” is a cut-above illusion that plays fanciful, fast and loose, but more or less fair. Continue reading →

If “After Earth” isn’t the worst movie made this year, it’s certainly the laziest and most wasteful. Continue reading →

While it pales in comparison to the raunchy wit of the original, “The Hangover Part III” boasts enough laughs to remember why we liked the first film so much. Continue reading →

“Furious 6″ elevates the rejuvenated series into saga territory — an automotive “Avengers” as suffused with sincerity as it is bereft of pretenses. Strap in. Continue reading →