The Film Yap

Nick Rogers joins Joe and Chris to talk about the conclusion of his ambitious year-long project examining the 365 best films of the 2000s: Heroes of the Zeroes. Continue reading →

“Zoolander” — Ben Stiller’s funniest film, chomping at fashion’s vanity and vapidity — concludes Nick Rogers’ daily look back at the 365 best films of 2000-2009. Continue reading →

“Zombieland” — a horror comedy that’s equal parts John Hughes and John Carpenter — continues Nick Rogers’ daily look back at the 365 best films of 2000-2009. Continue reading →

“Zodiac” — a drill into dark pathologies of pursuit & the Zeroes’ best procedural thriller — continues Nick Rogers’ look back at the 365 best films of 2000-2009. Continue reading →

“Zathura” — akin to ’80s movies with effects that didn’t come at creativity’s expense — continues Nick Rogers’ look back at the 365 best films of 2000-2009. Continue reading →

“You Can Count On Me” — a compelling, sometimes comic story about contradictory siblings — continues Nick Rogers’ look back at the 365 best films of 2000-2009. Continue reading →

“Yi Yi (A One and a Two)” — a harmoniously acted, directed and scripted discourse on life — continues Nick Rogers’ look back at the 365 best films of 2000-2009. Continue reading →

“The Yards” — a pitch-black thriller of Shakespearean shenanigans — continues Nick Rogers’ daily look back at the 365 best films of 2000-2009. Continue reading →

“Y Tu Mamá También” — a ravenously erotic, but precise and intimate, drama — continues Nick Rogers’ daily look back at the 365 best films of 2000-2009. Continue reading →

“X2: X-Men United” — sadder, saucier and smarter than the usual comic-book cash cow — continues Nick Rogers’ daily look back at the 365 best films of 2000-2009. Continue reading →