The Film Yap

“Wedding Crashers” — a festival of crazy, raunchy, inappropriate behavior — continues Nick Rogers’ daily look back at the 365 best films of 2000-2009. Continue reading →

“The Weather Man” — Gore Verbinski’s “Pirates” palate-cleanser and his best film — continues Nick Rogers’ daily look back at the 365 best films of 2000-2009. Continue reading →

“The Way of the Gun” — with roaring, bloodletting gunfire to do Sam Peckinpah proud — continues Nick Rogers’ daily look back at the 365 best films of 2000-2009. Continue reading →

“WALL-E” — a cross between E.T., a turtle and “Short Circuit’s” Johnny 5 — continues Nick Rogers’ daily look back at the 365 best films of 2000-2009. Continue reading →

“Waking Life” — a far-out-man poetry slam and imaginative philosophical discourse — continues Nick Rogers’ daily look back at the 365 best films of 2000-2009. Continue reading →

“Waitress” — an occasionally goopy-sweet, but stunning and sincere slice of life — continues Nick Rogers’ daily look back at the 365 best films of 2000-2009. Continue reading →

“W.” — in which Oliver Stone’s usually wicked satire turned toward subtle invective — continues Nick Rogers’ daily look back at the 365 best films of 2000-2009. Continue reading →

“The Virgin Suicides” — Sofia Coppola’s triumphant return to film behind the camera — continues Nick Rogers’ daily look back at the 365 best films of 2000-2009. Continue reading →

“A Very Long Engagement” — a dark, engaging fairytale of epic emotions and scope — continues Nick Rogers’ daily look back at the 365 best films of 2000-2009. Continue reading →

“Venus” — Peter O’Toole’s Oscar-nominated turn as a rogue in repose — continues Nick Rogers’ daily look back at the 365 best films of 2000-2009. Continue reading →