The Film Yap

Hopefully, given the title, this is indeed The (very) Last Exorcism. Continue reading →

“Videodrome” shows how David Cronenberg is sometimes a provocateur only to a point. But he also wasn’t far from his cinematic incisions that cut the deepest. Continue reading →

Lucio Fulci’s unintentionally hilarious zombie flick shows why he was known as the international “King of Gore.” Continue reading →

There’s always gristle in these meat slabs. At least this installment cuts around it to serve something surprisingly digestible, as cheapie-roadside films go. Continue reading →

I laughed. I cried. I shamelessly applauded. “The Good, The Bad, and The Schlocky”: An annual review of schlock cinema in 2012. Continue reading →

Alice is back in this fifth installment of the Resident Evil series, which stands to be the most epic to date. Continue reading →

For newbies to horror, this richly animated film is an enchanting introduction. Continue reading →

John Landis’ classic “An American Werewolf in London” is one helluva hairy good time. Continue reading →

At a Thursday-night preview screening meant for the diehards, one man was loudly sawing logs by the 60-minute mark. Para-snore-mal activity, indeed. Continue reading →

I suppose the only upside to “Chernobyl Diaries” is getting to see Jesse McCartney suffer a slow and painful death. It’s the least the filmmakers could do for setting us up for a similar fate. Continue reading →