A quasi-zombie movie that draws natural, but unfair, comparisons to superior films like “Dawn of the Dead” and “28 Days Later,” but is a solid ride all its own.

A puzzling train wreck that is often nonsensical, other times unintentionally funny, but always haphazardly thrown together.

“Blade II” — Guillermo del Toro’s raucous, breathless, armament-heavy sequel — continues Nick Rogers’ look back at the 365 best films of 2000-2009.

A young woman inherits a curse that transforms her into a leopard whenever she becomes angry.

“Audition” — an audacious, stunning and surprising deconstruction of redemptive romance — continues Nick Rogers’ daily look at the 365 best films of 2000-2009.

“Daybreakers” isn’t as polished as the first two “Blade” films. But as a reclamation of what vampire-genre movies should be, it’s, oh, positive.

“28 Days Later …” — a far better Danny Boyle film than “Slumdog Millionaire” — continues Nick Rogers’ look back at the 365 best films of 2000-2009.

Diablo Cody’s follow-up script to “Juno” certainly doesn’t ring as sweet and real as its predecessor, but that was hardly the intention.

A marginal, early-80s slasher film that is clearly trying to capitalize on the success of “Halloween” and “Friday the 13th,” “Madman” manages to carve its niche in cheese.

Can this much nudity be THIS dull?