The Film Yap

“Sin City” — in which do-gooder pride proved as dangerous as any dame or bad guy — continues Nick Rogers’ dakly look back at the 365 best films of 2000-2009. Continue reading →

“Sideways” — Alexander Payne’s comedy about emotional muck of people past their prime — continues Nick Rogers’ look back at the 365 best films of 2000-2009. Continue reading →

“Old Dogs” — which essentially pees down its leg and calls it comedy — continues Nick Rogers’ weekly, alphabetical look back at the 52 worst films of 2000-2009. Continue reading →

“Shrek” and “Shrek 2″ — where DreamWorks got it right with its flagship family films — continue Nick Rogers’ look back at the 365 best films of 2000-2009. Continue reading →

“Shine a Light” — in which the Rolling Stones play songs trusty and dusty, but not rusty — continues Nick Rogers’ look back at the 365 best films of 2000-2009. Continue reading →

“Shattered Glass” — Billy Ray’s unexpectedly suspenseful character drama about journalism — continues Nick Rogers’ look back at the 365 best films of 2000-2009. Continue reading →

“The Shape of Things” — Neil LaBute’s return as the king of relationship nastiness — continues Nick Rogers’ look back at the 365 best films of 2000-2009. Continue reading →

“Sexy Beast” — in which the guy who played Gandhi gets rocks off on sociopathic violence — continues Nick Rogers’ look back at the 365 best films of 2000-2009. Continue reading →

“A Serious Man” — in which the Coens sneer not at anyone, but everyone — continues Nick Rogers’ look back at the 365 best films of 2000-2009. Continue reading →

“Secretary” — Steven Shainberg’s scintillatingly erotic 2002 romantic comedy — continues Nick Rogers’ look back at the 365 best films of 2000-2009. Continue reading →