The Film Yap

In this vampire flick, you’re not going to find to young lovers staring longingly into each other’s eyes.

Director Paul Weitz goes for good dumb fun but misses the mark on “good” and “fun.”

“Auto Focus” — another thematically rich gem in Paul Schrader’s filmography — continues Nick Rogers’ look back at the 365 best films of 2000-2009.

“American Psycho” — a bold leap beyond simple screeds against excess, violence and greed — is the latest in Nick Rogers’ daily look back at the best films of 2000-2009.

“Daybreakers” isn’t as polished as the first two “Blade” films. But as a reclamation of what vampire-genre movies should be, it’s, oh, positive.