Paul Greengrass’ “Green Zone” tries to frame the Iraq War in simplistic cops-and-robbers terms.

A snappy, engaging thriller that overcomes a somewhat bloated midsection with a fantastic payoff.

Once one of the freshest voices in Hollywood, Tim Burton has become with “Alice in Wonderland” the king of the crappy remakes.

If “Brooklyn’s Finest’ were an East Coast retread of “Training Day,” that would only improve this shapeless, shamelessly cliched cop thriller.

A quasi-zombie movie that draws natural, but unfair, comparisons to superior films like “Dawn of the Dead” and “28 Days Later,” but is a solid ride all its own.

If you leave “Cop Out” thinking it’s comparable to “Beverly Hills Cop,” “Fletch” and other movies it mimics, you’re apt to fall for a banana in the tailpipe, too.

Set in a pre-WWI German town, “The White Ribbon” is a parable wrapped in a metaphor tucked inside an allegory.

Mini-reviews of all 10 nominees for Academy Awards in the Live Action and Animated short film categories.

A weaker Scorsese film, but still better than most of what’s out there

A riveting documentary about the life and times of a famous civil rights attorney through the eyes of his daughters.