The Film Yap

“Manborg” is like watching your friend play a video game, only you never want him to pass the controller because you’re too busy having a great time. Continue reading →

A serious art film? An allegory about zombies? Or just a French-ified exploitation flick where women get naked for no reason at all? Continue reading →

I laughed. I cried. I shamelessly applauded. “The Good, The Bad, and The Schlocky”: An annual review of schlock cinema in 2012. Continue reading →

John Landis’ classic “An American Werewolf in London” is one helluva hairy good time. Continue reading →

“V/H/S” is uniquely 80’s in its conception, but strongly rooted in the current found-footage craze. In terms of horror anthologies, “V/H/S” is schlocky midnight movie goodness. Continue reading →

If you’re a fan of bad karate movies, you ain’t getting any worser than “No Retreat, No Surrender.” Continue reading →

A blood-soaked romp through the zombie-riddled streets of Havana, “Juan of the Dead” is a uniquely Cuban film that stands to be an instant Schlock Vault classic. Continue reading →

Jason goes to hell, dragging the audience down there with him in this, the ninth and worst installment in the Friday the 13th series. Continue reading →

Tommy Wiseau’s unintentionally hilarious cult classic is everything a “best worst movie” is made of … and then some. Continue reading →

This lesser-known sequel is one part horror and two parts cornball humor — a true cult classic. Continue reading →